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“Joyas Voladoras”

“Joyas Voladoras”

The second assignment for “Joyas Voladoras” is on p. 276, Question #4, (p. 150, I believe, in Edition 10),”Questions for a Second Reading”. The first part is about transitions and [what the editors call] “characteristic” sentences, paragraphs, moments in Doyle’s writing, basically; the second part, or “exercise” asks you to be imitative and creative, now translating Doyle into your own creative sentence (think of syntax; rhythm; tone, as possibilities) and eventual topic for paper #1 (if you choose to elaborate on this topic).

(a) Choose a sentence (or two) from “Joyas Voladoras”; copy it down.

(b) Then, staying close to Doyle’s use of language, tone, syntax, write a sentence of your own. Remember to stay as close as you can to subtleties such as punctuation; tone (factual? emotive?) – and create your own “Doyle-like” sentence of your own topic. You may choose more than one sentence.

Responses are currently closed, but you can trackback from your own site.

Comments are closed.

“Joyas Voladoras”

“Joyas Voladoras”

The second assignment for “Joyas Voladoras” is on p. 276, Question #4, (p. 150, I believe, in Edition 10),”Questions for a Second Reading”. The first part is about transitions and [what the editors call] “characteristic” sentences, paragraphs, moments in Doyle’s writing, basically; the second part, or “exercise” asks you to be imitative and creative, now translating Doyle into your own creative sentence (think of syntax; rhythm; tone, as possibilities) and eventual topic for paper #1 (if you choose to elaborate on this topic).

(a) Choose a sentence (or two) from “Joyas Voladoras”; copy it down.

(b) Then, staying close to Doyle’s use of language, tone, syntax, write a sentence of your own. Remember to stay as close as you can to subtleties such as punctuation; tone (factual? emotive?) – and create your own “Doyle-like” sentence of your own topic. You may choose more than one sentence.

Responses are currently closed, but you can trackback from your own site.

Comments are closed.

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